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Iwaya for Dress 33, a very "Baroque" collection, very 80's, shiny and festive, gold and Mondrianesque colors.

Manish Arora, The stage is scattered with stars and fine embroideries, carrousel dresses or Rockets, clowns, tigers and elephants.

Gareth Pugh, The British Empire fights back, even though the whole might be rather warlike, the british touch is still present with frill and ruffle. La Maison Martin Margiela celebrates its 20 years,rolling vassels introduce living scenes, box woman, false twins, a very unconventional cake looking more like an overturned creme.

Rue Du Mail, Martine Sitbon knows how to create sensible architectures , construction that leave frailty show through.

A.F. Vandervorst ravaged hoses, fluidity and transparency for a very formal sensuality.

Véronique Leroy parades in a very Parisian street, the hoods cover the heads but the backs are bare and the cotton see through. A gold baby dinosaure warms up the neck.

Bernhard Willhelm stages an imaginary tribe that worships giant sausages and pretzels.

Tsumori Chisato, a fluid and aquatic collection, out of the water, scales shine brighter.

Gaspard Yurkievich, this season, the fringe is on the shoulder, to be decorated and adorned.

Bless occupies a staircase, and for once, we want to listen to the rumor and befriend the neighbors.



Caroline Cornu - translation Carole Denis